Universal-Oberflächen-Halter für Lavaliermikrofon (DMM0007)

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      Beschreibung

      Der Universal-Oberflächen-Halter ist ein Weichgummihalter, mit dem sich Miniaturmikrofone mit einem speziellen, rückstandsfreien Klebepad an einer Vielzahl von Instrumenten befestigen lassen. Damit kann das Mikrofon an praktisch jeder Stelle des Musikinstruments platziert werden.

      Dieses Klebepad bietet einen sicheren Halt für die Mikrofonmontage und lässt sich mehrfach wiederverwenden. Für den Einsatz mit unseren 4060er Miniaturmikrofonen mit Kugelcharakteristik. Der Halter liegt unseren 4060er Instrumentenmikrofon-Kits bei.


      Der Halter wird im Set zu 5 Stück zusammen mit 20 Klebepads angeboten.


      Strings

      Tonal range (lower/upper)
      g (196 Hz) / g4 (3136 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 16 kHz
      Typical max SPL, 3m
      95 dB
      SPL (db re 20μPa)
      At the ear: up to 109 dB
      Dynamic range
      30 dB
      Attack time
      5-30 ms
      Tonal range (lower/upper)
      c (131 Hz) / c3 (1047 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 16 kHz
      Dynamic range
      30 dB
      Attack time
      30–50 ms
      Tonal range (lower/upper)
      C (65.4 Hz) / c3 (1047 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 8 kHz / 16 kHz
      Dynamic range
      35 dB
      Attack time
      Plucked string: 5–30 ms; Struck string: 30–50 ms
      Tonal range (lower/upper)
      gE1 (41.2 Hz) / g (196 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 7.5 kHz / 10 kHz
      Typical max SPL, 3m
      95 dB
      Dynamic range
      35 dB
      Attack time
      Up to 110 ms; Hard: up to 110 ms; Soft: up to 450 ms

      Brass

      Tonal range (lower/upper)
      e (165 Hz) / d3 (1175 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 15 kHz / 15 kHz
      Typical max SPL, 3m
      106 dB
      SPL (db re 20μPa)
      0.5 m from bell piece: normal; forte: 108 dB; extreme forte: 128 dB
      Dynamic range
      Lower tonal range: 30 dB; Higher tonal range: 10 dB
      Attack time
      20–40 ms
      Tonal range (lower/upper)
      H1 (61.7 Hz) / f2 (698 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 10 kHz
      Typical max SPL, 3m
      95 dB
      Dynamic range
      Middle tonal range: 40 dB; Higher tonal range: 20 dB
      Attack time
      20-40 ms; In low tonal range: up to 80 ms
      Tonal range (lower/upper)
      E (82.4 Hz) / c2 (523 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 7 kHz / 10 kHz
      Typical max SPL, 3m
      104 dB
      Dynamic range
      Middle tonal range: 45 dB
      Attack time
      20–40 ms
      Tonal range (lower/upper)
      Eb1 (39 Hz) / g1 (392 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 4 kHz / 7.5 kHz
      Typical max SPL, 3m
      96 dB
      Dynamic range
      Middle tonal range: 40 dB
      Attack time
      20–40 ms

      Woodwinds

      Tonal range (lower/upper)
      d2 (587 Hz) / c5 (4186 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 15 kHz
      Typical max SPL, 3m
      102 dB
      Typical max SPL, 3m
      102 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      c1 (262 Hz) / c4 (2093 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 6 k Hz / 15 kHz
      Typical max SPL, 3m
      96 dB
      Dynamic range
      35 dB
      Attack time
      20-60 ms; Low register: Up to 180 ms
      Tonal range (lower/upper)
      c1 (262 Hz) / d3 (1175 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 15 kHz / 15 kHz
      Typical max SPL, 3m
      90 dB
      Dynamic range
      30 dB
      Attack time
      20–60 ms; Low register: Up to 120 ms
      Tonal range (lower/upper)
      d (147 Hz) / e3 (1319 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 15 kHz
      Typical max SPL, 3m
      92 dB
      Dynamic range
      50 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Bb (58.3 Hz) / c2 (523 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 8 kHz / 12 kHz
      Typical max SPL, 3m
      90 dB
      Dynamic range
      35 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Bb2 (29.2 Hz) / c1 (262 Hz)
      Typical max SPL, 3m
      92 dB
      Attack time
      20-60 ms
      Tonal range (lower/upper)
      ab (208 Hz) / eb3 (1245 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 12 kHz / 16 kHz
      Typical max SPL, 3m
      98 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      db (139 Hz) / ab2 (831 Hz)
      Typical max SPL, 3m
      98 dB
      SPL (dB re 20μPa)
      At the center of the bell piece up to 130 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Ab (104 Hz) / eb2 (622 Hz)
      Typical max SPL, 3m
      98 dB
      SPL (dB re 20μPa)
      At the center of the bell piece up to 130 dB
      Dynamic range
      25 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Db (69.4 Hz) / ab1 (415 Hz)
      Typical max SPL, 3m
      98 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Ab1 (51.9 Hz) / db1 (278 Hz)
      Typical max SPL, 3m
      96 dB
      Attack time
      20–60 ms

      Stringed instruments

      Tonal range (lower/upper)
      E (82.4 Hz) / c3 (1047 Hz)
      Typical max SPL, 3m
      88 dB
      Attack time
      20-60 ms
      Tonal range (lower/upper)
      E (82.4 Hz) / c3 (1047 Hz)
      Typical max SPL, 3m
      92 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      A2 (27.5 Hz) / c5 (4186 Hz)
      Typical max SPL, 3m
      Lid in 45° position: 100 dB
      Attack time
      20–60 ms

      Percussions

      Tuning
      Eb (77.8 Hz) – G (98 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      F (87.3 Hz) – c (131 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      A (110 Hz) – f (175 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      c (131 Hz) – ab (208 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Frequency range with the highest levelt
      50 Hz – 400 Hz
      Typical max SPL, 3m
      115 dB
      SPL (dB re 20μPa)
      With pedal, 20 cm from drumhead: 120–128 dB
      Dynamic range
      80 dB
      Attack time
      8-12 ms
      Frequency range with the highest level
      80 Hz – 4 kHz
      SPL (dB re 20μPa)
      108 dB
      Dynamic range
      55 dB
      Attack time
      5-8 ms
      Frequency range with the highest level
      100 Hz – 5 kHz
      SPL (dB re 20μPa)
      105 dB
      Dynamic range
      65 dB
      Attack time
      2-4 ms
      Frequency range with the highest level
      2 kHz – 12 kHz

      Passend zu diesen Mikrofonen

      4060-series-white-bg.jpg

      4060 Serie Miniaturmikrofon mit Kugelcharakteristik

      Diese Reihe enthält die Mikrofone 4060, 4061, 4062, 4063 und 4071. Jede Version ist in Bezug auf Empfindlichkeit, Spannung und Positionierung an eine spezifische Anwendung angepasst. Sie alle beruhen auf dem originalen 4060, dem allerersten von DPA entwickelten Miniaturmikrofon.

      Mehr erfahren und Mikrofon konfigurieren.
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